I don’t really know why I’ve found myself liking Hellboy so much lately, but I really do enjoy him as a character a lot, as well as how Mike Mignola uses dark folklore tales as the basis of his short, episodic stories, just changing them slightly to suit the world of Hellboy. And there are always little explanations from Mignola as to where the stories came from, which I find to be incredibly interesting. Then again, I have a thing for supernatural lore being used in different works, if just in influence, or being reinvented in a new way, and The Right Hand of Doom definitely follows the pattern of Hellboy’s past volumes in that it plays little installments from his life involving different paranormal threats, which may or may not be connected to a bigger picture. I really enjoy it, but I know that some people aren’t into that kind of thing, just like how I like the somewhat less-detailed nature of Mignola’s drawings, which makes them almost seem more moody and dark (heeeeey, early expressionism, nice of you to drop by), while others enjoy more detail. Really I have been finding the Hellboy series to be one of those things that if you like it, you like it quite a lot, but if you don’t, then you are indifferent to it and just don’t see the appeal.
In any case, a breakdown of all the different stories involved in The Right Hand of Doom can be found here.