narfna’s #CBR5 Review #80: Wolf Hall by Hilary Mantel

Climbing this book was like reading a mountain. (Wait, what?) I am exhausted, yet fulfilled. I’m also feeling a bit out my depth.

Ever since I finished my Master’s degree two years ago, I haven’t read that many CAPITAL L ‘Literature’ books, mostly out of what you might call ‘avoidance.’ So I’m a bit out of practice in writing anything that isn’t based off of things my hindbrain spews up out of reflex, and I’m definitely out of practice digesting and processing prose that is in any way not designed to deliver pleasure directly to my frontal lobe. So forgive me, please, for not being able to write about this book in a way that would match its own quality, which, by the way, was excellent.

Hilary Mantel’s Booker Award winning Wolf Hall, the first in her Thomas Cromwell trilogy — which continues in last year’s Bring Up the Bodies and will conclude in 2015 with The Mirror and the Light — chronicles the rise of Thomas Cromwell from a poverty-stricken violent son of a drunken blacksmith to the personal advisor to Henry VIII.

I will admit up front that before reading this book, my knowledge of Tudor England was on the limited side, most of it consisting of what I’d gleaned from listening to “I’m Henery the Eighth, I Am” and from reading Hark! A Vagrant, along with wherever else I might have soaked up the occasional tidbit of general knowledge (as a rule, most American children have absolutely no idea what the hell is going on with the history of the English monarchy, excepting to know it was good old King George who fought us in the Revolutionary War, and some king named James wrote the Bible — and we’re lucky if they know even that). I’d heard the name Thomas Cromwell, but I had no idea that he’s generally considered somewhat of a dick, historically speaking, and I still wouldn’t know if it this book were my only source of information.

Certainly you come away from this book with a pretty good idea of the goings on surrounding Henry’s quest for a male heir (and the sometimes surprising motivations behind it) — the annulment of his marriage to Queen Catherine, the disinheriting of his daughter Mary, making himself the head of the Church in England, and the resulting split from the Catholic Church (and all that mess entailed), and of course, his marriage to Anne Boleyn (and the birth of the future Queen Elizabeth, not that anyone in this book regards her of any worth at all — Mantel even has characters referring to her regularly as ‘The Ginger Pig’). But the real focus is Thomas Cromwell, both the private and the public man. We spend just as much time getting to know Thomas’s family as we do with the King’s affairs (and Cardinal Wolsey’s before that).
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Kira’s #CBR5 “Review” #39: Wolf Hall, by Hilary Mantel

wolfNo matter how many accolades Wolf Hall has gotten, it’s hard not to tuck into a “Thomas Cromwell trilogy” without feeling a bit like the 73-year-old version of yourself (just with fewer afghans; I plan to have a lot of afghans). And for the first hundred pages of Hilary Mantel’s inaugural Cromwell novel, I wondered whether I had perhaps jumped the gun on King Henry-themed historical fiction: For all its wit and depth and (what I assume is) contextual accuracy, Wolf Hall was failing to take me out of myself. It seemed a book for a quiet afternoon at the library, or a peaceful morning in bed, not the kind of novel that might make itself heard over the cacophony of a subway commute.

Wolf Hall is, put simply, a fictionalized biography of Thomas Cromwell, from his time as right-hand man to Cardinal Thomas Wolsey (lots of Thomases in this book) through his ascension in the court of King Henry VIII. The novel won the Man Booker Prize and the National Book Critics Circle Award and has already been picked up for the stage and television. Its sequel, Bring up the Bodiesalso won the Man Booker Prize, reminding us that British lady authors can write bestselling literary series that don’t include wizarding schools or vomit-flavored jelly beans.

[FULL REVIEW]

Miss Kate’s CBR review #1: A Place of Greater Safety, by Hilary Mantel

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(It’s July! Been reading like crazy, but I never seem to be able to sit down and actually write a review.)

I am a huge fan of Hilary Mantel’s Wolf Hall, and the sequel Bring Up The Bodies. I enjoy her spare writing, how she can convey so much in only a few words.

Eager to read more from her, I picked up A Place of Greater Safety. I had no idea what I was getting into. Make no mistake, this is a good book. Full review here.

loulamac’s #CBRV review #33: Bring up the Bodies by Hilary Mantel

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Anne Boleyn. What a woman. For love of her, the King of England transformed his country’s religion, broke with Rome, risked war with the rest of Europe and threw over his wife of 24 years. She was well educated, opinionated and feisty in a time when women were expected to be seen and not heard. She also had incredible sexual charisma, despite not being considered a beauty by the standards of the time. For these, and many other reasons, I consider her a feminist icon, and have always been saddened by the way in which she was cast aside, and her ultimate fate. So, given how much I LOVED Mantel’s French Revolution epic A Place of Greater Safety, I was beside myself when Wolf Hall was published.

Bring up the Bodies picks up right where Wolf Hall left off. Henry VIII and Anne are married, the future Queen Elizabeth I is a babe in arms, and as yet there’s no sign of the much-wanted son and heir. Already our hero (and I use the term loosely) Thomas Cromwell has seen the writing on the wall. Anne is losing her grip on Henry, whose head has been turned by the mousey (and seemingly more pliable) Jane Seymour. When Anne miscarries a male child, her time on the throne is up. As he did for the disposal of Catherine of Aragon, the King turns to Thomas Cromwell to aid him as he sheds another wife. And Cromwell knows better than to stand in his way. Anne and her family are on quicksand, and the book charts the alarming speed with which allegiances shift and reputations are destroyed as Cromwell goes about his grim work.

I feel a bit bashful writing a review of this book, as if I’m not worthy. Should a mere mortal like me be allowed to add my tiny bit of approval to the mountains of praise heaped on Hilary Mantel? Bring up the Bodies and its predecessor Wolf Hall deserve all the acclaim and awards they’ve received. The writing is spare and powerful, creating a world that is threatening and treacherous. Cromwell manipulates and navigates his way through a Tudor England that is populated by self-serving, back-stabbing, avaricious sharks. Cromwell himself is hardly shiny-white, but Mantel’s presentation of him is so compelling it hardly matters. Even though we all know what happened to Anne, Jane, Cromwell and the rest, I was anxious and on the edge of my seat all the way through. The description of the trials and executions of Anne and her brothers are terrifying, as the realisation dawns on them that the truth matters little now they are caught up in the inexorable machine of crown, church and state.

I can’t wait for the next one.

xoxoxoe’s #CBR5 Review #7: Bring Up the Bodies, by Hilary Mantel

Hilary Mantel’s Wolf Hall was an amazing read. Winner of the 2009 Man Booker Prize and the first book in a trilogy about Thomas Cromwell, advisor to Henry VIII, Mantel took an oft-told history in an entertaining manner — how Cromwell helped Henry discard his first wife Katherine of Aragon, marry Anne Boleyn, and break away from the Emperor and Catholicism to create the Church of England. Along the way we witnessed Cromwell’s personal tragedies — his loss of his wife Liz and two daughters Anne and Grace, to the “sweating sickness,” his idolization of his mentor Cardinal Wolsey and his surviving Wolsey’s fall from the king’s graces, and his hand in the end of Thomas More. One might wonder if there was really that much more to tell, but Mantel’s second book in the series (the 2012 Man Booker Prize winner), Bring Up the Bodies, starts off with a bang and doesn’t let up, as it chronicles Henry’s growing impatience with second wife Anne, who has only been able to produce a female child (who will one day become Elizabeth I) as his attentions turn to the young and pliable Jane Seymour.

“She is very plain. What does Henry see in her?'”
“He thinks she’s stupid. He finds it restful.”

Henry VII and his Family, by an unknown artist. L-R: Princess Mary, Prince Edward, Henry VIII, Jane Seymour, Elizabeth

Cromwell’s charge is his King’s desire, and more than political power or religious reform, Henry’s main goal is to produce a male heir and continue the Tudor royal line. Cromwell, as intelligent as ever, looks at every situation from several angles, always trying to serve England. His knowledge of many languages and cultures creates a truly diverse household — in fact his home seems more sophisticated in many ways than the King’s many residences. Mantel sketches Cromwell’s life at home and at court in fascinating detail. If there is anything to criticize in Bring Up the Bodies, it is the author’s continued insistence of using a device she used in Wolf Hall, writing from Cromwell’s perspective with clunky sentences that start, “He, Cromwell …” But the rest of the book is so spot-on, so involving, that stylistic quibbles soon seem just that — quibbles.

“How many men can say, as I must, ‘I am a man whose only friend is the King of England’? I have everything, you would think. And yet take Henry away, and I have nothing.”

Mantel tells her story from Cromwell’s perspective, and at times we are privy to his dreams and memories. But our “hero” is not above using his station to exact revenge. He sees how the inevitable fall of the new queen Anne (of which he shows not much remorse nor pity) can be used to punish men who had insulted his revered Wolsey — the Queen’s brother George Boleyn, Henry Norris, William Brereton, and Francis Weston.

“Look, he says: once you have exhausted the process of negotiation and compromise, one you have fixed on the destruction of an enemy, that destruction must be swift and it must be perfect. Before you even glance in his direction, you should have his name on a warrant, the ports blocked, his wife and friends bought, his heir under your protection, his money in your strong room and his dog running to your whistle. Before he wakes in the morning, you should have the axe in your hand.”

Portrait of Thomas Cromwell. New York, Frick C...
Thomas Cromwell, by Hans Holbein

Cromwell may be on top at the end of Bring Up the Bodies, but the reader doesn’t have to know all the details of his life to know that he is poised for a fall. Medieval politics were rough and frequently brutal, and a rough man like Cromwell, from the wrong side of London was, for a time, the perfect man to get things done.

You can read more of my pop culture reviews on my blog, xoxoxo e

Originally published on Blogcritics: Book Review: Bring Up the Bodies – by Hilary Mantel

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