Valyruh’s #CBR5 Review #100: The Midwife of Hope River by Patricia Harman

Author Patricia Harman treats us to a fabulous debut novel which combines the reality of the Great Depression, race relations and labor organizing in the 1930s, with the personal stories of characters so real that they practically leap off the pages. Simple but compelling narrative, authentic dialogue, evocative settings, and a flesh-and-blood heroine who needs no rescuing, combine to make this a top-notch piece of fiction deserving of a much broader audience than home-birth enthusiasts.

The story is the first-person account of Patience Murphy, who has fled her radical past in Pittsburg and a dark guilty secret of her own to end up in the impoverished coal town of Liberty, West Virginia, during the depths of the Great Depression.  The 36-year-old widow is working as a midwife of just a few years’ experience, living in an unheated cabin and surviving on garden vegetables and payment in the form of the occasional chicken, ham, and sometimes a dollar or two. Haunted by her past and fearful of exposure and arrest, Patience has shed her real name and lives in relative isolation with only her bicycle for transportation around town and to surrounding ethnic communities. Her only friend is the public health nurse who is afraid of the birth process; the only doctor in town won’t treat black people or those who cannot pay; and the midwife of the black community is in her eighties and ill.

Patience’s life changes when she reluctantly takes into her home and under her wing the tough young daughter of the local mine owner’s black maid. On the verge of bankruptcy, the desperate mine owner plans to throw Bitsy into the street, and when Patience comes to deliver his baby, she acquiesces to the mother’s plea to take her daughter and train her as a midwife’s assistant. Bitsy takes to it immediately, and in return, gives Patience access to the life she has kept at arm’s length until now. Her growing friendship with the black community through Bitsy catches the attention of the Ku Klux Klan, and warnings that she needs to be “careful” ratchet up the tension.

Pulling the novel  together, of course, are the marvelous stories of the births (not all of them happy ones) that Patience attends, and the exciting overlap between her medical knowledge, creativity and sheer grit that the midwife offers to her laboring mothers, the majority of whom are too impoverished—or the “wrong” color—to avail themselves of a hospital birth. As Patience expands her circle of clients and friends—including the local vet–we see her grow in confidence and move out of her self-imprisonment.

This is an inspiring tale, based on many of the true life experiences of the author, who worked as a midwife in West Virginia and on rural communes around the country for decades, and one suspects that the author has much of the same indomitable spirit as her heroine. We are the richer for it.

Valyruh’s #CBR5 Review #66: Ava’s Man by Rick Bragg

A beautiful book, compellingly written with authenticity and love and wit, about the grandfather Rick Bragg never knew but who was a larger-than-life figure in every way. Charlie Bundrum couldn’t read, was often two steps ahead of the law, was a moonshiner and a drinker, and dragged his family from state to state and shack to shack, but he loved his wife, adored his children, was a rock that everyone could lean on, and worked himself to the bone to keep his family housed and fed during the years of the Great Depression. He was passionate, curious, funny, fearless, a banjo picker and a dancer, a roofer, a carpenter, a fisherman, a defender of the weak, and a genuine salt-of-the-earth hero who brought out hundreds from miles around to revere him at his funeral.

Ava’s Man is actually the sequel to Bragg’s Pulitzer Prize-winning All Over But the Shoutin’, written about his grandmother Ava whom he knew as a child. But despite the success of his first book, Bragg realized that he had really only told half the story. I made the mistake of reading his second book first, but l have the delicious anticipation of reading his first book next and can’t wait. Bragg gives us a unique view from the Appalachian foothills of the deep South, where hardscrabble life didn’t have to mean hard people. I had only recently finished reading Faulkner’s depressingly grim As I Lay Dying, and am grateful to Bragg for restoring my faith that being from the rural south didn’t have to mean being like Anse Bundren and his family.

As Bragg writes at the beginning of his book, “He died in the spring of 1958, one year before I was born. I have never forgiven him for that.” So what the author did was cull the family scrapbooks, surviving memories, and anything else he could to piece together the story of a man so beloved that people couldn’t talk about for him decades after his death because of the pain of remembering the loss. Wouldn’t we all like to be remembered like that?

ElCicco #CBR5 Review #34: Gilead by Marilynne Robinson

images-1

I make the mistake sometimes of thinking that a novel of fewer than 300 pages will be a quick read. Gilead by Marilynne Robinson proves the lie. It is a very dense 280 page novel written as a letter by a 75-year-old midwestern preacher to his 7-year-old son circa 1955. It’s heavy on religion and theology, and it’s sometimes repetitive, which is perhaps not too surprising with a septuagenarian narrator. Robinson makes her preacher John Ames a kindly, gentle, flawed, but likable fellow whose family history spans the Civil War, the influenza epidemic, the Depression, and the two world wars. But those earth-shaking events seem to make less of an impression on him and his flock than the vagaries of their common, every day lives and relationships in the small prairie town of Gilead.

John Ames is writing this letter to his little boy in preparation for his own death. It’s sort of an explanation of his life and an apology for not leaving more for the boy and his young mother. It’s also John Ames’ attempt to come to terms with his impending death and making sure that his spiritual house is in order. In the course of the rambling letter, he discusses his grandfather, a preacher and abolitionist who helped settle Kansas and fought in the Civil War; his father, a preacher who embraced pacifism; his brother, who rejected religion for rationalism; his friend preacher Boughton, who is also old and dying; and Boughton’s wayward son, John Ames Boughton, godson of John Ames. John Ames struggles with anger (as his father and grandfather before him) and his distrust of his godson, recently returned to Gilead for reasons no one seems to understand.

Naturally, as this is a rambling letter, we do not get a linear story line, and there are certain mysteries about John Ames’ father, grandfather and godson that take some time to clear up. While the novel can sometimes be ponderous and drag, there is at its heart a pure and forgiving love that better exemplifies John Ames’ Christian theology than any of the texts he is fond of quoting. Gilead won a Pulitzer Prize in 2005, and while I liked the story, I can’t say I loved it. I found it okay, but it’s probably outstanding to those who enjoy theology and have a lot more time to reflect on it than I do.