Goodreads summary: “1987. There’s only one person who has ever truly understood fourteen-year-old June Elbus, and that’s her uncle, the renowned painter Finn Weiss. Shy at school and distant from her older sister, June can only be herself in Finn’s company; he is her godfather, confidant, and best friend. So when he dies, far too young, of a mysterious illness her mother can barely speak about, June’s world is turned upside down. But Finn’s death brings a surprise acquaintance into June’s life—someone who will help her to heal, and to question what she thinks she knows about Finn, her family, and even her own heart.
At Finn’s funeral, June notices a strange man lingering just beyond the crowd. A few days later, she receives a package in the mail. Inside is a beautiful teapot she recognizes from Finn’s apartment, and a note from Toby, the stranger, asking for an opportunity to meet. As the two begin to spend time together, June realizes she’s not the only one who misses Finn, and if she can bring herself to trust this unexpected friend, he just might be the one she needs the most.”
I am so grossly behind on reviews that it hurts. Ah, post-Cannonball lethargy! Anyway, this was a very good story: bittersweet with poignant glimpses into close family relationships strained by death, jealousy, prejudice, and alienation. June, the protagonist, feels lost in the world following the death of her uncle. She’s born very much from the Loner Girl mold, an introvert who sees herself as irredeemably weird but who nonetheless manages to get along with people around her (and even attract attention from boys) when she puts the effort in. The relationship between her and her older sister — two girls feeling a chasm between them, trying to bridge it but not trying too hard for fear of getting hurt — was heartbreaking and felt all too real. This and other fragmented relationships in the novel were just a few of several reasons why this book felt very painful to read at times.
I was alive but not really cognizant of the emergence of HIV/AIDS (the epidemic central to the foundation of the novel,) but I have long been curious about both the pathology of the virus and about the curious intersection of paranoia and bigotry that made AIDS such a controversial, willfully misunderstood disease. Reading Tell the Wolves I’m Home didn’t, therefore, stir up any painful memories for me, but it did offer a really powerful and unflinching look at how those living with AIDS, and even those who died of the disease, like Finn, were demonized rather than comforted and loved.
Anyway, I read this over a month ago, so I have forgotten a lot of the details I might otherwise mention in a review, but I can say for certain that I really liked the book and would definitely recommend it.
Hazel and Jack are best friends and live just down the street from one another. Until recently, they didn’t go to the same school, but after Hazel’s dad moved away, she had to change schools and now she’s in the classroom across the hall from Jack. Hazel doesn’t really fit in at school. None of the other kids were adopted from India and look completely different from their mum and dad. She only really feels like she completely belongs when she’s with Jack, and when he’s off playing with the other boys, she feels desperately alone.
Our unnamed narrator returns to the old farm near his childhood home after a funeral in Sussex. He remembers his childhood friend Lettie Hempstock, who lived in the old farmhouse, at the end of the lane near his house, and while looking out over the pond in the back (which Lettie claimed was an ocean), he slowly remembers the strange and horrifying events of his childhood, after one of his parents’ lodgers stole their car and killed himself, not far from the house. There are dark and inexplicable consequences, and the three generations of Hempstock women help our narrator try to set things to rights.
“I had a good childhood. My father died when I was twelve. My mother went to bed early. I was an only child.” 
Halim is a teenager in Stockholm, who feels as if he’s in opposition to everything and everyone. When he’s told the Arabic lessons in school have to stop because of funding cuts, he shows his displeasure by covering the school toilets in graffiti. His father, who runs shop selling a little bit of everything, worries about his academic progress and stresses the importance of speaking good Swedish if he wants to make something of himself. Both feel the loss of Halim’s mother, who died a few years back, greatly. They both try to be supportive of their friend, Nourdine, a washed up actor who’s convinced he’s just the right interview away from a big break.
Cannonball Read V 