sonk’s #CBRV Reviews #27 – #36

I’m so bad about posting (and linking to) my reviews. Links below to reviews 27 through 36.

#27: The Dirty Life by Kristen Kimball 

#28: White Teeth by Zadie Smith

#29: Dare Me by Megan Abbott

#30: Confessions of a Teen Sleuth by Chelsea Cain

#31: The Round House by Louise Erdrich

#32: Beautiful Ruins by Jess Walter

#33: Unbroken by Laura Hillenbrand

#34: Divergent by Veronica Roth

#35: Cloud Atlas by David Mitchell

#36: You Are One of Them by Elliott Holt

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tmoney’s #CBR5 Review #5: Cloud Atlas by David Mitchell

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I’m not one for reincarnation, but I do believe our lives are connected more than we know. This belief, as well as my interest in dystopian literature led me to read Cloud Atlas. I have yet to see the movie, and I am hesitant to, as I don’t know if would live up to my expectations. However, the book is one that will stay with me for a while, and I highly recommend it.
Cloud Atlas is a novel with six interconnected and nested stories. The first is that of a young family man, Adam, traveling home to San Francisco from New Zealand in the 1860’s. His experience is not a pleasant one, and the depictions of slavery (under the guise of missionary work) are rather disheartening. In the book, his is both the first and the last to be told (as each story is split in two). The second is that of Robert, a young musician, with not a penny to his name, finds employment in Belgium before WWII as a composer’s apprentice. I have to be honest and say that I did not pay much attention to this part of the book, as it was slow, and the narrator’s voice was a bit obnoxious. The third story could have been its own novel, as it was compelling, exciting, and made me want to skip the intervening chapters to get to the resolution. It is about a young magazine reporter, Lydia, who is investigating a crime/coverup in the Southern California area that involves a nuclear reactor and a massive government conspiracy.

 

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loulamac’s #CBRV review #16: Cloud Atlas by David Mitchell

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I feel a bit embarrassed that I am so hopelessly tardy in my arrival at the Cloud Atlas party. I bought the book years ago, but my loathing for smart-arse writerly ‘technique’ getting in the way of a good story put me off. When this year the book was made into a film starring Tom Hanks (who I hate more than the aforementioned self-indulgence/arrogance of some authors), I decided I could ignore it no longer. As a rule, I don’t like being proved wrong, but in this case I’m happy to eat my judgemental hat. Good god I LOVED this book.

The novel tells six separate, but interlinked, stories. The first deals with a 19th century American lawyer and his adventures on the high seas of the Pacific; the second is narrated by a talented, petulant composer in 1930s Belgium who seduces his mentor’s wife and falls in love with his daughter; the third is a Silkwood-esque 1970s morality tale of corrupt big business; fourth is the hilarious story of Timothy Cavendish, a publisher in 1980s London who gets trapped in an old people’s home; next is the tragic story of Somni-451 a clone in a dystopian future who is due to be executed for evolving feelings and a will of her own; finally comes the story of Zachary, a tribesman in a world centuries after the fall of civilisation. I know, I know, I thought all this sounded affected and ridiculous too, but it’s not. It’s NOT!

David Mitchell is such a genius that he effortlessly weaves these stories together, ending each on a cliff-hanger that in no way stops you from getting immediately gripped by the next one. He is as comfortable with the historical novel of the opening or the Amis-like world of Timothy Cavendish as he is with the sci-fi of the later stories, and each narrative voice rings completely true.

I hardly know what else to say. I loved it so much I can’t do it justice. It made me laugh, made me cry, made me anxious, and even got me over my Irvine Welsh (the Crown Prince of self-indulgent arrogant writers) induced phobia of dialect outside of dialogue. I was desperate to find out what happened to each of the characters, but at the same time didn’t want the book to end. If you’re reading this review, stop pissing around on the internet and read Cloud Atlas instead.

Julia’s #CBRV Review # 7: Cloud Atlas by David Mitchell

Cloud AtlasCloud Atlas is not a bad book, it’s just a “not for me” kind of book. I thought it was for me, I had heard great things from pretty much everyone who ever read it, including past CBR reviewers. The book was even lent to me by a friend who recommended it. I saw the trailer for the movie, and that looked undeniably cool. So here I am, having read the book, and all I can think is, “that was okay…?” I almost feel like the fault is with me, that I just didn’t read the book right or that I need to have someone explain it to me, and I’ll have a revelation where I suddenly think it’s great. However, right now is not that moment, and I’m reviewing the book based upon my current impression.

The plot of Cloud Atlas is not easily summarized so I’ll let Mitchell himself give a brief description so I can get it out of the way:

“My 2004 novel, Cloud Atlas, opens in 1850, with a notary on an island-hopping voyage from the South Pacific to San Francisco. But that narrative gets interrupted by another story, set in the 1930s, about a young composer who finds a memoir written some decades earlier by the notary; which story in turn is interrupted by another, involving a journalist and a physicist, whose letters recount the 1930s narrative; and so on, for a total of six different time frames. In the novel’s second half, the interrupted narratives are continued, and the novel ends with the conclusion of the 1850s memoir.
-David Mitchell, October 19, 2012

I do admire the format of the book. Mitchell plays with his storytelling style in a way I have never seen done before. It’s a unique way of delving into the idea that humanity is all connected, that the choices we make now will have ripples far into the future. Each of the stories are well written. In some cases, Mitchell has created completely new dialects or new realities, and he does so with skill. He philosophizes on everything from racism to sexism, good vs. evil, class and status. So why didn’t I like this book…

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Sophia’s #CBR5 Review #7: Cloud Atlas by David Mitchell

I’ve finally Cloud Atlasgotten around to reading what seemed to be everyone’s favorite Cannonball Read from a couple years ago: David Mitchell’s Cloud Atlas (2004). I guess I could call it a cross between six short stories and a comprehensive philosophy of the nature of humanity. I wish I had come into this  book with fewer expectations, though, because even though I was impressed and enjoyed it, the hype was probably too much to ever live up to.

To read the the entirety of my meandering and spoilerific review of Cloud Atlas, click here.