Funkyfacecat’s #CBR5 Review #12: Embassytown by China Miéville

Embassytown is at the edge of the “immer”, an outpost of the Bremen empire, and at the border between the Ariekei and the humans on the planet Arieka. It is clearly science fiction, verging towards dystopian science fiction, but it’s also about colonialism, about the alien and the other, and about words and signs and truth and lies and revolutions that change the meaning of all of these. Negotiating between the Ariekei, or Hosts, who are the aliens, and the mostly-human community are the Ambassadors, who we gradually find out are sets of doubled, identical beings who speak “Language” with two voices but one brain, the only form of communication that the aliens, who are alien to the point of not even breathing oxygen–or being physically or mentally capable of lying, of saying that something is not what it is but something else–can understand.

Drifting among the power structures, danger zones and levels of communication in Embassytown, is Avice, a girl who made an unusual contact with the alien race early in her life, and who becomes a Navigator in the “immer,” able to transport vessels in a nebulous, shifting space among the stars and planets that make up the universe. On one planet she finds Scile, a linguist obsessed with the Host alien language and way of communication, and brings him in her wake back to Arieka. Scile’s investigation and idealism happens to coincide with the appearance of an impossible Ambassador from Bremen, and the results are ultimately disturbing and destructive in moral and ethical as well as physical ways.

Embassytown is a trippy read. A lot of it makes more sense if you’re familiar with the sign and signified and other Derridean stuff, or if you’re used to reading or watching science fiction in which obscure or made-up words describe technology, environment and aliens. It takes a while to get into, but I was gripped when I finally did. Although the novel is more about ideas than people, there is some relatable emotion and experience, particularly as events unfold, but I found it hard to get a sense of Avice and the other characters as more than ciphers. I admired it and enjoyed it as an intellectual rather than emotional or escapist read, thinking about its allusions and structures (probably because I read it two days before I had to teach it) and I’m sure I missed a lot of what was going on. It’s a dark, weird, thought-provoking novel about big questions, without any easy answers.

Fofo’s #CBR5 Review #19: Dial H, Volume 1 by China Miéville, Mateus Santolouco and David Lapham

Dial H Vol 1Target: China Miéville’s Dial H, Vol.1: Into You.  Art by Mateus Santolouco and David Lapham. Collecting issues #1-6 and #0

Profile: Comics, Mystery, Science Fiction, Fantasy

Like many of China Miéville’s novels, Dial H tries to alter the way readers look at its genres.  It uses the tropes of superheroics to tell an entirely different kind of story with a lot of style and unique take on the world of DC Comics.  It is a quintessentially Miéville story, where the rules have to be learned, or re-learned at the very least.  And in spite of all that, it stays true to the comic book canon and is a huge breath of fresh air in a space that has been stagnant for a while.

I am a huge fan of Miéville’s ability to turn the boundaries of genre into creative playgrounds and Dial H doesn’t disappoint in this respect.  It is a brilliantly rendered series that taps into the ‘weird’ space that DC has been attempting to capitalize on in their ‘New 52’ reboot.  It isn’t as grand in scope or story as some of the great graphic novels, like Sandman, but it bridges the gap between a superhero story and a ‘larger’ adventure.

Read the rest of the review…