I watch True Blood, but I am not a fan. I don’t like Anna Paquin’s performance, and Stephen Moyer makes my skin crawl. I watch True Blood for Eric, I swoon over True Blood for Eric, I rewind and pause True Blood for Eric. So that, plus my monomaniacal loathing of all things Twilight might have you wondering why on earth I would go to the trouble of downloading this audiobook for my gym and running sessions. Why indeed? It just sort of happened, and now that it has, it’s not right but it’s ok. I won’t be reappraising the ghastly TV Sookie’n’Bill any time soon, but I didn’t mind this book.
For any of you who don’t know already, Sookie Stackhouse is a telepathic waitress in rural Louisiana. Vampires have recently ‘come out of the coffin’, although they are still something of a rarity in Sookie’s hometown. All that changes when Bill Compton, veteran of the American Civil War, walks into the bar where she works. The two are thrown together when Sookie saves his life, and before long they’ve fallen into bed, and in love. Alongside this unusual love story is a murder-mystery, as someone is killing local chicks who’ve got history with vampires. Sookie looks like she’s lined up to be the next victim, and her brother Jason is the prime suspect.
The murder element of the plot had much more traction in the book than I remember from the TV show, which is part of the reason I enjoyed it more than I was expecting. Johanna Parker’s reading is another. She manages to overcome the more banal sequences (much of the book is given over to descriptions of what Sookie is putting on as she gets dressed, down to the colour of the scrunchy she has put over the elastic band that’s holding her ponytail in place), and gives Sookie a voice that is down-home without quite being hokey. Sookie is selfish and frightened, but also loves her friends and family, and really cares about what happens to them. Johanna Parker gives her dignity and stops her from coming across as shrill (Anna Paquin, take note).