I’m officially on my victory laps after completing my annual half-cannonball. Now it’s just about setting a new personal best. You can keep up with these and all my reviews of other things at my personal blog
For those who prefer authorial style to iconic characters: Zorro
I’ve been listening to Blair Brown slowly, almost lovingly, read Isabelle Allende’s take on the famous caballero and off for the past year. Finally reaching a stage where I turned it on double speed just to get through it all.
It’s not dull exactly, there are plenty of humorous adventures and acts of daring-do to keep fans of the masked swashbuckler happy. But it’s much more of an origin story than an epic adventure. Diego De La Vega (the man who will be Zorro) isn’t around for the first quarter of the book–only his parents are–and he doesn’t become Zorro until the final third kicks off. The last disc (which I would guess is about a fifth of the book) is where the action really picks up and all of Allende’s other work pays off.
That’s the thing, with an author like Isabelle Allende behind it, you have to expect that the immensely gifted author is going to make it her own. But with a character as well known as Zorro, you come into the book with a host of preconceptions and expectations. In an ideal world, Allende would use her talents to enhance and illuminate an already beloved character. In the real world, Allende used the character to showcase her talents.
Again, that’s not a bad thing, it’s a pleasure to hear a gifted author’s words brought to life (it certainly seems like Brown favors the description to the action, enhancing this feeling even more). But it’s a trifle disappointing to expect a heroic character’s greatest adventures only to find a beautifully described portrait of life in Post-Napoleonic Spain and her colonies.