kayt’s #CBR5 Review #10: The Hours by Michael Cunningham

ImageThe Hours is a fantastic novel. A profound, passionate and moving book that manages to successfully tell three complete stories. Michael Cunningham shows his incredible skill for complex story telling, weaving together the tales of three women all connected by a book.

The book is Mrs. Dalloway, and the women, spanning generations and continents, are Virginia Woolf, Laura Brown, and Clarissa Vaughan. The book chronicles these women as they go about a single day in their lives, held together by the common thread of this novel. Woolf, of course, is in the process of writing the novel, while also recuperating in a London suburb. Laura Brown  is a fifties housewife in Los Angeles, reading the novel while trying to plan a birthday party for her husband, and Clarissa Vaughan is a modern representation of Clarissa Dalloway.

With The Hours, Michael Cunningham has created a very original, and deeply moving book. His writing is exquisite and he has truly crafted a deeply exciting and original reading experience. Cunningham pays great tribute to Mrs. Woolf and Mrs. Dalloway, in The Hours, a work that is beautiful and enduring in its own right. Although it is in many ways a reinvention of Woolf’s classic novel, it reads completely sincere, and fresh.

The payoff is great, as he successfully intertwines the three separate stories for a satisfying, beautiful and tragic ending. It is an inspired, beautiful and deeply moving novel that manages to be fresh and original, while still acting as a great tribute.

Kayt’s #CBR5 Review #09: The English Patient by Michael Ondaatje

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I’ve been meaning to read the English Patient for some time now, but kept pushing it to the back of my shelf. I know it is widely considered a fantastic book, a modern masterpiece by many, but it wasn’t until a few days ago I actually decided to pick it up. I was not disappointed in the slightest. The English Patient is an incredibly moving, deeply beautiful story that is very much  deserving of all the praise.

The English Patient tells the story of four people, who in the immediate wake of World War II, end up living in an abandoned, dilapidated villa in Italy. There is Hana, a young military nurse, who has nothing to go back to after losing everything in the war; Caravaggio, her shady family friend, who seeks her out at the villa; Kip, a young sapper who’s spent the entire war diffusing bombs, and the eponymous english patient, a mysterious man, burned beyond recognition, whom Hana stayed to care for long after everyone else shipped out.

The story shifts settings through flashbacks, recounting the rich histories of some of the characters.  Caravaggio, with the help of some morphine, encourages the English patient to tell his story: his exploration of the African Desert, and his great, doomed love affair with Katharine Clifton. The story also shows us Kip’s past in England, and delves deep into the psyche of these extremely damaged characters.

The entire book is riveting not only because of the intriguing narrative, but Ondaatje’s spectacularly beautiful prose. The writing is deeply poetic, and moving but never over the top. It is a thought-provoking novel, and I found myself stopping often either thinking about the story, or marveling at the incredible prose.

As soon as I finished the English Patient, I immediately wanted to pick it up again. To dive back in to the beautiful language and moving story. Ondaatje has truly created a masterpiece, and a book I will savor for years to come.

Kayt’s #CBR5 Review #08: The Handmaid’s Tale by Margaret Atwood

ImageWith The Handmaid’s Tale, Margaret Atwood offers us another version of the dystopian novel, and a pretty great one. Atwood creates a haunting vision of a future not too far off, and while it doesn’t quite reach the heights of the classics that came before such as 1984 or Brave New World, it is still a captivating and highly enjoyable book in its own right. 

In a not too distant future America has ceased to be America and is now the Republic of Gilead. Not much introduction is given to this society, but it doesn’t take long to figure out that this is a backwards, sexist state ruled by right-wingers and religious fundamentalists. Babies are scarce, and the sole purpose of women is to get pregnant, everything else including reading, working and unsanctioned socializing is strictly prohibited. Offred, the protagonist and narrator of this story, serves as a handmaid to one of the high ranking Commanders, a job which requires taking part in a monthly “ceremony” where the Commander tries to impregnate her. This is her only purpose, and everything else such as contacting her missing husband and daughter, or even going by her real name, is forbidden. 

The rest of society has likewise been divided into specific sectors each with a specific purpose and costume to match. Commanders, wives, handmaids, servants and focus on their tasks, hoping to avoid being publicly hung, or banished to the colonies. The devolution into this dystopian state is sketched out vaguely in Offred’s flashbacks, although their main purpose is to reveal her separation from her husband and daughter, who are now lost to her in this dark new world. 

Atwood has crafted a world that is both hard to believe, and hauntingly realistic. She takes many modern issues and stretches them to their chilling extremes, forming disturbing forecast of a not impossible future. She explores the dark connections between politics and sex, while avoiding sounding like a feminist manifesto. 

This story is not so much about the characters, but rather the world they inhabit. Atwood’s portrait of Gilead is engrossing. The utter confusion and terror that accompanies this rapid societal regression permeates the entire story, and Offred remarks that if she could ask any question of her superiors it would simply be “What is going on?”

A well written, immensely readable, almost poetic novel that acts as a satire of modern society, and a warning for future generations, The Handmaid’s Tale is a beautiful and important book. 

Kayt’s #CBR5 Review #07: Red Harvest by Dashiell Hammett

ImageRed Harvest is an  excellent detective novel, one of many Dashiell Hammett wrote in the genre. It’s a complicated, intriguing story, and the book at times reads like a screenplay for a great film noir. The dialogue is so clever, and so sharp you can’t just read it normally. I had to picture Humphrey Bogart puffing a cigarette, or sipping a scotch while delivering the lines. Hammett creates an entire corrupt, mysterious, world and pulls you into the smoky noir setting of the crooks and cops in Red Harvest’s Personville.

Hammett uses the narrative framing device of a Continental Op traveling to Personville (pronounced “Poisonville” by anyone who knows it), summoned by the last honest man, Donald Willsson, who is murdered before they ever get to meet. While investigating the murder, the Op encounters Willsson’s father Elihu, who strikes a deal with him to clean up Personville. Elihu tries to call it off, but the Op has his heart set on punishing the guilty, and cleaning the streets, even if he has to take on the entire town.

Throughout the story he encounters many colorful characters: the mysterious Max “Whisper” Thaler, the shameless Dinah Brand, the corrupt police chief Noonan, and many more. The Op works with, and against, these people trying to rid the city of crime. The prose and dialogue are sharp and strong, and the story is gloriously bloody, boasting a body count in the high teens. The Coen brothers film Blood Simple is even named after a line in the book in which the Op complains that the corruption and endless murder in this town is turning him “blood-simple”. There are twists and turns and murders all along the way as he tries to execute his elaborate plan to clean up Personville.

To reveal more of the plot would diminish the joy and suspense of actually reading the book, but rest assured it is worth your time. This is a classic story, an exploration of corruption in America, a superb novel, and just a damn fun crime story.

Kayt’s #CBR5 Review #06: Going After Cacciato

ImageGoing After Cacciato is regarded by many as one of the greatest war novels ever written, and it certainly lived up to expectations. I’m no expert on war literature, but I would say it might be the finest literary work to emerge from the Vietnam war. Tim O’Brien has created a beautiful, enduring, and important book that deserves to be read by anyone interested in war, fiction, or just great literature.

The plot is as follows: One day a young soldier named Cacciato decides he’s had enough of this war, and sets out for Paris on foot. A group of fellow soldiers go after him. The story follows them on their absurd journey through Vietnam and beyond. The book takes on a hallucinatory feel, often jumping between timelines, and making you question the reality of the story. This blend of fantasy and reality heightens the story, making it that much more fun to read.

The book is at times horrifying, humorous, shocking, fantastical, and deeply sad, the whole time underscored by O’Brien’s strong, crisp prose. The narrative moves along briskly and engrossingly, following the characters and the crazy things they encounter on their wild chase such as the Water Buffalo they lose falling down an Alice in Wonderland like hole, or the beheading they witness in Tehran . O’Brien beautifully explores  the different men, their lives, fears, and motivations, and on the deeper level, the motivation for war itself, and the purpose these men are actually serving.

It is evident that O’Brien, a foot soldier in Vietnam, knows his material very well. Drawing from personal knowledge and a rich imagination, O’Brien constructs a vivid, haunting and beautiful portrait of war, and soldiers. Combining the gritty realism and horrors of war, with the surrealism of this story, O’Brien has crafted not just one of the greatest war novels, one the greatest novels period.

Kayt’s #CBR5 Review #5: In the Heart of the Sea by Nathaniel Philbrick

ImageYou all know the story of Moby Dick, Herman Melville’s masterpiece, about the obsessed captain, and the object of his obsession, a sperm whale with a tendency to destroy whaling ships. Moby Dick is indeed a staple of Western literature, but the true story is even better.

In the Heart of the Sea tells the story of the whaling ship the Essex, which sunk in 1820 after being rammed by a massive sperm whale. But where Melville stops after the Pequod goes down, Philbrick continues, telling the arguably more interesting story of a crew stranded in the Pacific, and the lengths they went to to survive.

The book begins on the island of Nantucket, exploring a culture obsessed with, and built on whaling. It follows the crew of the Essex, and reconstructs their journey with the first person accounts of the first mate Owen Chase, and a young Nantucketer named Thomas Nickerson. They depart from the island, under the command of  Captain Pollard, for a two-three year whaling expedition. After sailing around South America they end up in a vast, isolated region of the Pacific called the Offshore Ground, at this time one of the only places where the sperm whale population hadn’t been decimated by whaling ships. Out in the middle of nowhere, thousands of miles from civilization in either direction, the Essex was rammed and sunk by a colossal 80 foot sperm whale.

This event was the inspiration for Melville’s novel, but he chose not to explore the aftermath, which is where it gets really interesting. The crew splits into the three whaling boats, and tries to set a course of action. They are few hundred miles from islands to their west, but fearing the savagery and rumored cannibalism of the native peoples, they decided to sail for South America, almost three thousand miles away, in what amounts to three glorified row boats.

Stranded in the ocean, sailing against the wind, hunger and dehydration takes its toll. Crew members start dropping dead, and in a horrible twist of irony, the men are forced to eat their dead shipmates to stay alive.

Philbrick has crafted a brilliant, and eerie book, that’s captivating from start to finish. It is a suspenseful, horrifying and heartbreaking tale about survival, and the endlessly fascinating culture of whaling. Philbrick admirably, and engrossingly brings this incredible story to life, and gives it its rightful place in American history.

Kayt’s #CBR5 Review #4: Galapagos by Kurt Vonnegut

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Galapagos explores an interesting question: what is the future of the human race one million years down the road?

Galapagos is a great novel, one of the last great novels of Kurt Vonnegut’s career. Told from the perspective of the ghost of Leon Trout one million years in the future, it offers an upfront commentary on human nature and society that is scathing, comical and consistently fascinating. Trout died while building the Bahia di Darwin, the ship which would become the second Noah’s Ark. He decides to stay a ghost, rather than venture into the afterlife, and observes the evolution of mankind from the passengers on this ship, to the flippered kin of the future.

The passengers, from who all of mankind one million years in the future is descended, consists of a Captain, an American widow, a Japanese woman and her daughter, a young blind girl, and six Kanka- Bono girls native to South America, each one with a funny or absurd back story. The book follows their journey from Ecuador to a remote island in the Galapagos, while the rest of civilization falls into shambles.

Although we don’t specifically witness these scenes, we know that these people become the ancestors of all mankind ( what happens to the rest of humanity is a bit ambiguous, though there is brief mention of a fertility destroying disease), and mankind, over the course of one million years, adapts to the new environment, adaptations which include significantly smaller brains, and flippers, perfected for fishing purposes.

Vonnegut breaks the cardinal rule of any intro to writing class: show, don’t tell,  but he does so to brilliant effect. Trout tells most of the story, what will become of mankind, what has brought this odd myriad of characters together, but it never feels lacking. Vonnegut’s precise, and humorous writing style, creates an engrossing, and immensely enjoyable read.

Vonnegut’s trademark satire and social commentary, and almost addictive writing style are put to good use, in this interesting novel and I can not recommend it enough.